New book: Disadvantaged Childhoods and Humanitarian Intervention

Disadvantaged Childhoods and Humanitarian InterventionProcesses of Affective Commodification and Objectification

is now available for pre-order from Palgrave as part of their Children and Development series. 

Co-edited by Kristen Cheney and Aviva Sinervo (SFSU), containing chapters from up-and-coming childhood and development studies scholars, and covering most regions of the world, the volume critically considers how transnational charitable industries are created and mobilized around childhood need by exploring how humanitarian interventions for children in difficult circumstances engage in affective commodification and objectification of disadvantaged childhoods. The authors argue that, though these processes can help achieve the goals of donors and aid organizations, they can also perpetuate the conditions that organizations seek to alleviatethereby endangering the very children they intend to help.
More information here.

The #Multicultural State: Counter-narratives from migrant youth living in Buenos Aires

by María V. Barbero

(This work first appeared on Youth Circulations on November 11, 2018. Read the original here with photos)

Promotional material produced by City Government for “Buenos Aires Celebra India.” Source

Buenos Aires is multicultural. Buenos Aires is cosmopolitan. Buenos Aires is welcoming and inclusive. Buenos Aires is a city of migrants. These were the messages I heard from state officials while conducting research in Buenos Aires during 2016 and 2017.  Such narratives circulated through the city government’s monthly cultural programing—programing that attracts thousands to iconic parks and streets to eat ethnic food and to celebrate immigrant communities: Buenos Aires Celebra Colombia, Buenos Aires Celebra Italia, Buenos Aires Celebra Paraguay, and so on and so forth. This programing is complemented by commemorative events organized by the national immigration office at the city’s historic museum of immigration.

This robust programming resembles what Lugones (2014)  calls “ornamental multiculturalism,” or a multiculturalism that “reduces non-Western cultures to ornaments to be enjoyed touristically,” while ignoring and obscuring structures of power. These events each generate colorful flyers, professional photographs, short videoclips and hashtags through which the message of an inclusive, multicultural state are circulated via Facebook, Twitter, and government websites.

Yet amid these messages is another, also incredibly robust scene of cultural production, one assembled by migrant youth living in Buenos Aires. This scene involves theater performances, books published with carton and fabric scraps, and radio programing. It is multicultural, multilingual and transnational, and it creates an alternative to the state’s ornamental multiculturalism. It does not shy away from analyzing power relations and deliberately enlists culture as a vehicle for resistance.

…read more on youthcirculations.com

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